His spending sprees were legendary. His entourage crashed whole cities’ economies. Meet the flashiest emperor in African history.
Imagine a billionaire arriving with his entourage in London, or Las Vegas, or Rome; and completely taking over an entire city block— turning a five-star restaurant into his exclusive kitchen; a skyscraper into his private office; a museum into his personal art gallery. The CEO brings along hundreds of aides and assistants, all of them clad in designer clothes, driving luxury cars. At each stop along the way, he instantly turns ordinary people into millionaires with a single swipe of his credit card.
It’s hard to imagine any modern mogul willing to flash that kind of cash —
But that doesn’t even begin to describe Musa’s pilgrimage.
They turned a Saharan trade route into a world-class center of Islamic learning. Meet the first medieval empire in West African history.
Some empires blossom around central seaports, or on the banks of vital rivers. But the Kingdom of Wagadu’s wealth was born — at least, in the beginning —
Thanks to a big, cranky animal.
The dromedary camel had been domesticated in Arabia around 3,000 BCE, and was used as a pack animal throughout the ancient Middle East; but it wasn’t until the Roman period that domesticated camels made their way to the Sahara Desert —
They traded with Egypt, Israel and Babylon. But when they turned to the Christian God, East Africa would never be the same.
In the 200s CE, the Persian prophet Mani referred to the “four great powers” of the world. The first three empires are easy to guess: Rome, Persia, and China. Mani’s fourth choice might come as a surprise. He named the Aksumite (or Axumite) Empire of East Africa —
As equal in importance to the other three.
The Aksumites never made any significant attempts to expand outside their own continent (but then again, neither did the Han Chinese). The Aksumite army wasn’t particularly formidable. The empire’s geographical extent was fairly small. Its language never became widely known in the outside world.
They conquered Egypt, battled Assyria and Rome, and ruled the Upper Nile Delta for thousands of years. Meet the pharaohs of Sudan.
You know that feeling when your favorite actor or musical artist makes a mass-market hit — and you realize that’s the one thing they’re going to be remembered for? From now on, no one’s going to care about all their brilliant early albums, or all the great dramatic roles they’ve played. Instead, this complex, talented artist is going to be known for a one-hit wonder, or a brief role in a historical epic.
That’s essentially what happened to the Kingdom of Kush. This civilization (not to be confused with the Kushan Empire of Asia) is remembered mainly as “the Nubian Pharaohs who conquered Egypt” — which they did, it’s true; at one particular period —
Who ruled Africa while Rome ruled Europe? How did they come to be forgotten?
A quick scan of online message boards will tell you that worldwide awareness of African empires — aside from ancient Egypt — is seriously limited, to say the least.
A Quora commenter asks, “Why hasn’t a single prominent civilization come out of Africa?” On Reddit, someone poses (or rather, begs) the question, “Why were there so few empires in Africa?” Although responders quickly mopped the floor with those commenters’ loaded questions, millions of other people around the world have never bothered to ask in the first place.
Who ruled the East while Rome ruled Europe? Meet four of the greatest empires in the history of Asia.
This week, the BBC announced the discovery of two “ethnically Chinese” skeletons at an ancient Roman burial site in England. Who were they? What drove them to the far end of the world? We don’t know, yet.
But for once, an article’s clickbait headline may not be exaggerating. If the genetic identity of these skeletons can be confirmed, it could indeed “rewrite Roman history” — or at least, a whole lot of long-held assumptions about who was in contact with whom in the days of the Roman Empire.
How my friend’s art connects Hollywood and ancient Egypt
Last weekend, I took a trip up to Milan. My friends and I hit all the usual sightseeing spots — the big famous Gothic cathedral, the sprawling neoclassical shopping mall known as the Galleria — but I had one special destination in mind.
We’ve all gotten pulled into one of those conversations at one party or another: “Art is on the decline! No ones creates original work anymore! Music is produced by robots and armies of slave children! All we do is take selfies and mindlessly share them!”
That’s how art critic Jonathan Jones reacted to the above painting by artist James Needham this week. Needham is shocked — shocked — that this painting has gotten almost a million shares on Imgur. “It washes out all aesthetic ambition,” Jones wails in The Guardian, “and reduces the 600 years of art history since the Renaissance to the level of a glorified selfie.”
The best naughty one-liners, setups and punchlines, from the bronze age all the way to to the 20th century.
So a Sumerian walks into a bar.
Doesn’t really have to be a Sumerian, actually. A guy. Any guy.
Guy walks into a bar, orders a drink, tries to join in on the conversation. But none of the regulars seem to be telling stories or jokes. One of them just says a number — “243!” — and everyone laughs. Then somebody else answers, “17!” and everybody laughs at that.
Guy asks the bartender, “What the hell’s goin’ on in here?”
When Aristagoras, Greek sea-trader of Piraeus, first laid eyes upon the treasures amassed by his distant cousins in the Asian provinces of Lydia and Ionia, more than just his avarice was awakened. When he studied the layers of gold inlay on an earring crafted on the shores of the Oxus, and ran his hand over a luxuriant, thick robe woven high in the Zagros, he did something a Hellene rarely did: